Monday, September 2, 2013

Red Hot + Fela


Over the years, AIDS charity Red Hot has recruited a number of musicians worldwide for charity compilations benefiting AIDS awareness and research. These have included both Red Hot + Rio and its sequel, featuring the likes of Beck, David Byrne, and Beirut, and the Rhythms Del Mundo all-star remix album. On October 8th, Knitting Factory Records will unveil Red Hot’s long-in-the-works Fela Kuti covers compilation, Red Hot + Fela.

The 13-track effort features a number of notable collaborations: Questlove and tUnE-yArDs on last year’s cover of “Lady”; Childish Gambino and Just A Band tackling “Who No Know Go No”; My Morning Jacket teaming with Alabama Shakes’ Brittany Howard and tUnE-yArDs’ Merril Garbus on “Trouble Sleep Yanga Wake Am”; TV on the Radio’s Kyp Malone and Tunde Adebimpe’s reworking “Sorrow Tears and Blood”; and Chance the Rapper appearing on a rendition of “Gentleman”.
With a cast of such diverse musicians, organizers opted not to make this a simple Afrobeat album, focusing instead on having contributors emphasize other facets of Kuti’s music.

“Fela’s music has deeply inspired and impacted how we think about music,” said Stuart Bogie, whose band Superhuman Happiness tackled “ITT” and backed-up TV on the Radio. “From critical details like his use of guitars and bass lines in perfect rhythmic counterpoint, to his long and epic forms, his music is a treasure and deep reason for musicians all over the globe. One challenge was maintaining the lyrical integrity. Fela’s poetry is a critical component, and we aren’t satisfied with getting it close – we want our tracks to honor his work the same as you would honor the lyrics of a Beatles, Bob Dylan, or Prince track.”

consequenceofsound.net 

---

Fela Kuti lives on. Since his death in 1997, he’s been transformed from musician’s musician with a cult-like following to a worldwide musical icon. The last four years have seen the Broadway hit FELA! win Tony Awards and tour the world, Knitting Factory Records reissue the prolific Nigerian firebrand’s back catalogue, and now, Red Hot.

Red Hot is an AIDS awareness organization currently partnering with cross-genre collaborators representing rock, hip-hop, Americana, and classical for a forthcoming album release of Fela Kuti compositions, Red Hot + Fela (Knitting Factory, October 8, 2013 ). The release includes classic Fela anthems like “Lady” recorded by tUnE-yArDs, Questlove, Angelique Kidjo, and Akua Naru, “Zombie” recorded by Spoek Mathambo, Cerebral Cortex, and Frown, and “Trouble Sleep Yanga Wake Am” recorded by My Morning Jacket, Merrill Garbus (from tUnE-yArDs), and Brittany Howard (from Alabama Shakes) and “Sorrow, Tears & Blood” reworked by the Kronos Quartet along with TV On The Radios’ Kyp Malone and Tune Adembimpe.

Stuart Bogie, who contributed to the album’s “Sorrow Tears and Blood” and “ITT” as a member of Superhuman Happiness, represents a bridge between the early adopters of Afrobeat and the recent recruits of the genre: “Fela's music has deeply inspired and impacted how we think about music,” Bogie reflects. “From critical details like his use of guitars and bass lines in perfect rhythmic counterpoint, to his long and epic forms, his music is a treasure and deep reason for musicians all over the globe.”

Although Fela inspired each and every artist on the album, Afrobeat is not necessarily the musical meat-and-potatoes for most of these musicians, thus presenting challenging responsibilities in recreating Fela’s work. Bogie stated, “One challenge was maintaining the lyrical integrity. Fela's poetry is a critical component, and we aren't satisfied with getting it close - we want our tracks to honor his work the same as you would honor the lyrics of a Beatles, Bob Dylan, or Prince track.”

Each rendition on the album tackles each composition quite differently. Honoring the tradition of Afrobeat, “Lady” presents wailing brass and sax with funky electric guitar while other reinterpretations execute their track with more inventive deviance. For example, “No Buredi” is reimagined as an electro-house track by Nneka, Sinkane, Amayo, and Superhuman Happiness meanwhile dance-inducing R & B and hip-hop flavor “Yellow Fever” recorded by Spoek Mathambo and Zaki Ibrahim.

The partnership between KFR and Red Hot is particularly relevant to Fela Kuti, given that he died of an AIDS-related illness himself. To date, Red Hot has released 18 albums and produced several concert and film series to raise money and awareness to fight AIDs around the world. They have partnered with countless local, national, and international AIDS organizations, all of whom have benefited from releases like Red Hot + Fela.

rockpaperscissors.biz

Red Hot + Fela Tracklist:
01. “Buy Africa” – Baloji & L’Orchestre de la Katuba featuring Kuku
02. “Lady” – tUnE-yArDs, Questlove, Angelique Kidjo + Akua Naru
03. “Yellow Fever” – Spoek Mathambo + Zaki Ibrahim
04. “No Buredi” – Nneka, Sinkane, Amayo + Superhuman Happiness
05. “Who No Know Go No” – Just A Band + Childish Gambino
06. “Trouble Sleep Yanga Wake Am” – My Morning Jacket w/ Merrill Garbus + Brittany Howard
07. “Sorrow Tears and Blood” – TV on the Radio’s Kyp Malone and Tunde Adebimpe, Kronos Quartet + Stuart Bogie
08. “ITT” – Superhuman Happiness w/ Sahr Ngaujah, Abena Koomson + Rubblebucket
09. “Afrodisco Beat 2013″ – Tony Allen, M1 + Baloji
10. “Gentleman” – Just A Band, Bajah + Chance the Rapper
11. “Hi Life Time” – GendEr Infinity
12.
“Zombie” – Spoek Mathambo + Cerebral Cortex + Frown
13. “Go Slow” – King 

Friday, August 30, 2013

From Australia with their 2nd album: The Liberators - Power Struggle


 Produced by Nate Goldentone aka Nathan Aust (Dojo Cuts, The Liberators) Australian premier afrofunkjazz combo The Liberators are back with the brand new album "Power struggle". Born in an unused factory space in urban Sydney, The Liberators - a compelling 10-piece Afrofunkjazz steamroller - have relentlessly pushed their sound to become leaders in the Australian Afrobeat resurgence. With their second album "Power Struggle", The Liberators have gone deeper and darker into the polyrhythmic, horn-driven realms of Afrobeat, producing eight weighty songs worthy of fueling any revolution. With a maturing mix of jazz, latin, soul and funk, it's obvious the sounds of fracturing world events echo throughout the album. The Liberators produced Power Struggle in Sydney, recording straight to tape in a no-nonsense, no-overdub fashion, capturing the phenomenal vibe of their live shows. Some of these shows include a roof destroying performance alongside Mulatu Astake and Craig Charles at Russ Dewbury's legendary "A Night at Jazz Room". Power Struggle will leave you nodding your head, fist in the air, ready to join the uprising. The Liberators are back, harder and stronger than ever (available November 2013).

kudosrecords.co.uk






Tracklist



01. Cairo Uprising [:03:41]
02. Soul Dive [:04:37]
03. Dark River [:06:05]
04. Red Green Live Die [:04:31]
05. Dos Caras [:05:32]
06. Power Struggle [:05:47]
07. No Friend of Mine [:03:42]
08. Epicoso [:05:11]
09. Water Somewhere feat. Roxie Ray [:03:20]

Tuesday, August 27, 2013

Embryo - Africa



Embryo is a musical collective from Munich which has been active since 1969, although its story started in the mid-1950s in Hof, Germany where Christian Burchard and Dieter Serfas met for the first time at the age of 10. It was one of the most important German jazz-rock bands during the 1970s and has also been described as "the most eclectic" of the Krautrock bands. 

Always trying something new, the next big Embryo adventure was a tour via Turkey through to Egypt, and later a tour through Africa. "AFRICA" documents these projects with an exceptionally wide variety of musics.
 

 

Tracklist

A1. Djangedi (3:09)
A2. Sango (4:15)
A3. Mao in Afrique (part 1) (2:13)
A4. Mao in Afrique (part 2) (3:52)
A5. Konga (2:40)
A6. Yulius' song (1:54)
B1. Dun Dun mix (5:46)
B2. Bush (1:55)
B3. Wole Alade (3:04)
B4. Lagune Musik (7:27)
B5. Crossriver xylophone (1:55)




Line-up / Musicians
 
- James Adesumole / trap drums (b4/5)
- Ayantunti Amoo / dun dun & bata drums (b4/5)
- Lamidi Ayankunle / yoruba drums, voice (side a, b2) bata drum & vocals (b1/4/5)
- Christian Burchard / percussion, vibes, marimba, cymbal, voice (side a, b1/2/4/5)
- Yomi Fawole / vocals, dun dun drum (b1)
- Andy Ade Frankel / dun dun bata (a2/3)
- Yulius Golombeck / guitar, voice, percussion (side a, b1/2)
- Gerald Hartwig / bass, voice, Yoruba percussion (side a, b1/2), tavil (b4/5)
- Edgar Hofmann / saxophone, violin, flute (side a, b1/2)
- Daniel Koranteng / conga (b4/5)
- Mbayo / voice, dun dun drum (a4)
- Ede Nwigwe / xylophone (b4/5)
- Amos Oguntokun / bata drum (b4/5)
- Ademola Olayiwola / bells, bata drum (b4/5)
- Muraina Oyelami / lead dun dun drum, lead vocals (b1)
- Adeleke Sangoyoyin / dun dun drum (b1)
- Dieter Serfas / drums (side a, b2)
- Peter Serfas / electronic drums (side a)

Afro Linkage Ensemble (b3):
- Kumle Ajayi / bass
- Wole Alade / Alto saxophone, flute (+b4)
- Deji Olaopa / piano
- Wale Popoola / drums
- Ayobami Thomas / percussion
- Melo Yremkye / guitars


Monday, August 26, 2013

From Ghana: The Jewels & Ghanaian highlife


Unfortunately, I cannot find any information about "The Jewels", 
but any interesting brief history of highlife music in Ghana ...

 

A little bit of blues, swing, rhythm and blues and African rhythms: So the style of music can sound Highlife from Ghana. Or even completely different: A pinch of samba, a touch of European church music, mixed with sea shanties - but also because the Ghanaian rhythms not missing. Because they are the common denominator of highlife music that is so diverse that it is difficult to characterize.
The roots of the high life in the bustling capital city of Accra in the late 19th Century, when Ghana is still a colony of Great Britain. Especially on the coast meet different cultures. This leads also to a musical melting pot of music from around the world mixed with indigenous sounds and rhythms.
Within the country develop at the beginning of the 20th Century, two different forms of this genre: the high life of the rich and the high life in the bush.
On the coast of Ghana is dancing the black and white elite to dance orchestra Highlife: Africanized foxtrot, waltz and ragtime, played by large string and brass bands. Dance to the rich in tails, top hat and much pomp.
Meanwhile produced within the country of the guitar band highlife. Especially in the simple style of this instrument differs from the elite: The harp lute Seprewa and later the guitar shape this music - and percussion instruments.
The signs of the beginnings: The band "Sam's Trio," which also "Kumasi Trio" was called. As early as 1928 they are in London in a studio and record the song "Yaa Amponsah" on. To date, this structure can be found in almost every highlife number.
Although so many Western influences collide in this music, highlife, after independence in 1957 Ghana's national music and also has political value: The president often takes a whole orchestra with him on his trip abroad.
As it rumbles in the 80s in Ghana - corruption and arbitrariness determine the policy, the economy is declining - breaks the music industry. More and more musicians wander off: Many to Germany, where highlife, funk and rock fused with the so-called Burger-highlife is. Or to Canada, there to wait an enthusiastic audience and a liberal working environment.



moreover, ... I found an interesting brief history of highlife music in Ghana by John Collins




 

Friday, August 23, 2013

The Brighton Beat - Live @ the Bean Runner (for free)



  Recorded live at The Beanrunner Cafe in Peekskill, NY;  The Brighton Beat's first live album is now available for digital download, with hard copies available at all live events.  It features some re-imagined Brighton Beat classics, and a cover of Fela Kuti's "Dog Eat Dog."  The amazing artwork was hand painted by local Peekskill artist Andrew Barthelmes. 

---

 "Afro-beat big band The Brighton Beat can sound really quiet considering the number of people on stage. The five mellow tracks on Live At The Bean Runner, recorded in Peekskill, NY, are allowed to develop organically. Kicking off with a cover of Fela Kuti's Dog Eat Dog they slip into Giraffe, one of the stand-out tracks from The Brighton Beat LP, throwing quite a few hat tips to the Supertramp classic Bloody Well Right.  

Live At The Bean Runner is a mellow album as a whole, flowing gently but picking up speed every now and then when it looks that they have painted themselves into a corner. Jazz comes to the rescue in Loose Cannon and they end the album on a high note with great percussion and keyboards interplay, a loud guitar solo and a good ol' sax battle during Big Top.





Tracklist


1.
Dog Eat Dog 12:21



2.
Giraffe 12:16



3.
Loose Cannon 12:28



4.
Indian Summer 15:50



5.
Big Top 12:17 

Thursday, August 22, 2013

Frankoye ‎– On Campus Life


Nigerian afro beat LP released in 1989 
but sounds tough like 70's Fela. 


Tracklist

A Campus Life
B Official Robbery


Frankoye - Campus Life - afrofunkamelick from afrofunkamelick on Vimeo.